GTA: London 1969 (1999)

This was a fun expansion of the OG Grand Theft Auto. This was top-down GTA with a late-1960s London setting. Yes, the red double buses, bobbies, and phone booths were there.

Also there were enjoyable missions with dialogue fitting these gangs and firms. Yeah, the missions in GTA and GTA 2 weren’t the most involved—things were still 2D—but there’s just something about 2D open world and that lack of fluid motion.

This early Grand Theft Auto approach will appear again in this list.

GTA: Liberty City Stories (2005)

Originally a PSP release, Liberty City Stories is prequel to Grand Theft Auto III, which was released roughly four years earlier. This story focused on low-rank Leone Family mobster Toni Ciprani. Toni has returned to Liberty City after four years in hiding following a situation where he killed a made man. At time, Ciprani wasn’t a made man and the killing wasn’t cleared—meaning he broke one of the tenets and had to go.

Sure, he could’ve faced his fate but fleeing to Sicily and letting things die down worked as well.

While the game played a lot like Vice City, the story was better than GTA III. This is in part because the protagonist speaks and seems more involved with the world than Claude Speed from III and later San Andreas. Another thing it had going for it is just the approach of playing through a previous time in the Grand Theft Auto 3D universe and seeing how things came to be in present day—the 2000s.

I will admit that the game is pretty skippable but for lore fans, if you can find it on PSP or PS2…maybe give it a play. It’s fun but I wouldn’t say essential.

Grand Theft Auto: Vice City Stories (2006)

Another PSP and PS2 release by the studio duo of Rockstar Leeds and Rockstar North, GTA: Vice City Stories is the stronger of the two Stories games. However, with the 3D universe, that was just the case with games released after GTA III. Each game was an improvement over previous titles because Rockstar utilized mechanics from other games in the franchise.

Vice City Stories is centered around Vic Vance, an army corporal who was dishonorably discharged in a double cross for trafficking drugs. Since the game isn’t available to play now, if you’ve played Vice City, Vic is Lance Vance’s brother who was killed at the beginning of the game.

VCS takes place in 1984, two years before Tommy Vercetti’s arrival in the city and allows the player to experience the rise of the short-lived Vance Crime Family.

Again, this plays like an early-2000s 3D universe Grand Theft Auto title but it had a little something extra that really made this a fun time investment. San Andreas featured a couple of features that allowed the player to experience San Andreas through CJ: clothing stores, dates, cheeks, bars, lowriders, clubs, businesses, and gang wars with claimable territory that weakened the opps’ influence in the city.

While GTA: Vice City featured businesses, it was a simple affair of raiding a gang’s front, taking it over and investing money into it. San Andreas typically had more of a story involved in taking over businesses. In Vice City Stories, we have turf wars in the form of a more involved business system. Not only did players take a front over, they also invested in the upkeep and growth of the business both by dropping money into it and doing related missions. Not only that, these businesses had to be defended from opposing gangs.

This mechanic was something I wished returned in future GTA games and is my favorite part of the game. Aside from that, VCS also featured improved combat, with the hand-to-hand stuff taking heavily from San Andreas’ improved combat.

GTA: Chinatown Wars (2009)

This game launched on the popular Nintendo 3DS console. It’s the only game on this list that Rockstar has available for download via app stores. Chinatown Wars uses the GTA and GTA II top-down approach but mixes in some features that weren’t seen in either the 2D or 3D titles.

First, let’s getting a bit into the story. Huang Lee is the nephew of a triad boss living in Liberty City. He is visiting from Hong Kong to hand him a ceremonial sword that belonged to his father. While en route, he is ambushed and the sword stolen.

This results in a lengthy story with some interesting twists and turns along the way. Can’t have a GTA story without some kind of betrayal by perceived allies and/or FIB having the main character by the balls. Maybe Grand Theft Auto VI will break that trope.

Tasked with various jobs to make up for the dishonor of being ambushed, Huang experiences crime the American way. This brings me to a few mechanics I really enjoyed with one being something I wish would return in future titles.

In GTA V, it’s possible to get the cops off of you by making them crash in a chase. Chinatown Wars featured this and while it should’ve been easier because it was top-down, the streets got congested often in this game and could ruin a fun chase. However, the featured did its job well—when players had room to groove.

Another shared feature between the two is hotwiring cars. Being that it was the 3DS and using that stylus was just something developers or Nintendo insisted on, hotwiring in Chinatown Wars could be more involved before players rode off in their in their criminally captured cars.

The featured that impressed me the most and was a feature I loved in GTA-clone Scarface: The World is Yours was the drug trafficking. This was basically Rockstar Games Presents Dope Wars and it was great! Drug prices changed, CCTVs were a problem, suppliers taxed, rivals were salty, drug trucks could be hit—this was the most entertaining part of the game hands down. It was GTA criminal shenanigans and hustling but it was something unique to this game.

Which of the games have you played in the past? Where would you rank them? Are there any gameplay mechanics or characters you’d like to see return?

Let us know in the comments!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Gaming gives us that and simulation games apply that to occupation and business simulators to great effect. It’s essential to gameplay and keeping players hooked. But this isn’t about status screen UIs or human improvement, we’re looking at three simulators worth diving into right now.

All games but the second are available on PC and console.

Drug Dealer Simulator (Byterunners)

Currently, this has been my primary jam. It’s also my weekend stream starter before getting into some Cyberpunk 2077 shenanigans. Drug Dealer Simulator puts you in the role of a dealer, smuggler, street pharmacist, trafficker, and businessman all in one.

The player is dropped into a city under heavy lockdown with a hard stance against drugs. Eddie, the player’s mentor and plug trains the young trapper on how to do business, get drugs, launder money, and keeps him abreast of story-advancing developments. The narrator fills the player in on more granular aspects while giving an abrasive and humorous take of the trapper’s rise.

While a major aspect is giving out samples and making enough for sales and to hand off to your dealers, I find that the most enjoyable part is actually growing and cooking. Then again, I love crafting in games.

Byterunners have released Drug Dealer Simulator 2 and it looks great but for those who can’t play the sequel, the OG DDS is still a time-eating blast to dive into.

American Truck Simulator (SCS Software)

Honestly, either American Truck Simulator or European Truck Simulator 2 are a great pick for your simulation game session. It exists in this realm of having time limits on deliveries, fines for traffic infractions, and needing to gas up but also being extremely chill.

The most stressful parts tend to come from falling a bit behind on a delivery. Even worse when is cutting it close, being at the destination but being unable to get the truck and trailer in the loading area exactly.

Beyond that, the player mainly  manages their trucking career, handles their skill points, purchase trucks and upgrades. As the game advances and the player makes more cash from deliveries, they can invest in their own trucking company and hire drivers NPC to do deliveries.

There’s also an online mode where players join other truckers for convoys. It’s not a mode I’ve explored heavily but it was fun doing deliveries through Nevada and hearing my fellow trucker lamenting about traffic up ahead.

Of the games in this list, I’d say American/Euro Truck Simulator has the best music. It uses streaming radio in-game and it works perfectly as traveling music with a lot of variety. This is also the game with the most longevity. The games are all addictive and the player might have fun in restarting or advancing their businesses further but the Truck Simulator titles are different in that it’s as close to a perfect balance of chill and challenge.

That goes a long way for simulation games and replay value.

Gas Station Simulator (DRAGO Entertainment)

Now this is a game that increases the stress of cops chasing the player in DDS while also having a chill approach like the Truck Simulator games. Sure, placing and stocking shelves is easy (as someone who has done it, it depends) but keeping the store clean and seeing that tour bus pull up to the gas station is another story.

Most of the week, it’s basic dead end gas station in the desert business. Yeah, there’s an element of shadiness going on as far as cash flow but business is steady and manageable. However, the weirdest things go down in the gas station once the bus rolls in but the player is going to make a wad or two with the bump in business.

Managing inventory, store cleanliness and tending to the service at the pump are the player’s initial duties but eventually workers can be hired to manage that. There is stronger storyline here than in the other two entries and exploration plays a part in that. There are also a few other activities to get into outside of pure business.

What are some of your favorite simulation games and are there any you’re currently playing? Share in the comments!

Staff Writer; James “Metal” Swift Jr.

Gaming since 1989 and headbanging since 1999, James is a talented writer, podcast host, and lifelong comic book fan who loves all things old-school and retro. His passions include RPGs, wrestling, and classic gaming culture. You can also find him on Twitter at; metalswift.

Now, I’m not as hardcore a Destiny 2 player as my younger brother. As a matter of fact, while I did catch the most recent “World’s First” raid, I wasn’t heavily active during the expansion launch. A large part of that had to do with crashes on PlayStation 4.

However, as far as Destiny 2 creators and keeping up with news, I follow to a degree. Even while playing, unless I’m playing with my brother, I tend to get in and find activities where I can just get in and slam such as Iron Banner, strikes that are on the shorter side, or just public events. I’m not particularly interested in jumping puzzles or figuring out mechanics, two important ingredients in the franchise’s gameplay.

Destiny: Rising Launches

I had come across Destiny: Rising on the Google Play Store when it was still in the pre-register phase. Mind you, I didn’t pre-register as I was looking for another game to play. Since it was a bigger mobile game—I don’t reckon Sony or Bungie would get on board with a trash mobile title—it would remain in the “For You” section until launch.

After my brother reminded me that it had launched, I logged on the day after launch and dove into the issues of Haven, the hub city of Destiny: Rising. As mentioned above, this is a sequel to the main Destiny games and I’d say that so far, it’s a good entry.

I’m still going through the story—in true Destiny fashion, character really chat. Everyone’s a yapper in the game and the urge to hit “Skip” was ever present. Fortunately, some cutscenes allow the player to double the speed as a soft skip. I feel this should be for all cutscenes and cinematics.

Move it along, already.

It should be noted that as a NetEase title, there’s the expected gacha element here. It’s actually an important element of the gameplay since the characters are all built to substitute for the more focused build and gear crafting of the main titles.

Characters and Build Crafting

That isn’t to say this game is pick-and-play. The Guardians (characters) all have a light element: solar (fire), void (gravity/space), and arc (lightning). Stasis (ice), strand (kind of like void and stasis) and prismatic (all abilities) aren’t featured yet. However, in true gacha fashion, expect more characters to drop and some to be loaded up with the best skills of those elements.

In Destiny 2, players are free to jump among elemental subclasses as desired and craft builds around certain abilities and aspects. Over on Destiny: Rising, the characters have pretty much settled into their most proficient subclass. The player just has to select the best Guardian for the activity.

Players will get to do some build crafting here but it’s streamlined for both mobile gameplay and how players tend to play mobile. For those who have explored Destiny 2, you will know it’s a bit of a time investment regardless of your skill level. Whether you’re mainly a PvP (player vs. player) or PvE (player vs. environment) gamer, you’re sinking time into the game because there’s so much to manage, improve, craft, and hunt for—never mind actually getting into the adventuring, raiding, and dungeon delving. It’s not necessarily a game where you can jump in for 10 minutes here and there for bite-sized, quick sessions.

In Rising, the approach is geared mainly towards shorter sessions or if you really want to just drain your battery. On the road to team level 61 at the time of writing this, I’ve hovered between both.

Back to the characters! They’re pretty much different subclasses with baked in builds—or abilities geared towards their intended combat and utility style. From there, you’re able to level up their relic abilities—the elemental powers Guardians can use in combat and improve your weapons.

If you haven’t gotten into Destiny: Rising, you might be wondering about armor sets and the like. Don’t worry about that, the focus is on weapons in DR—meaning the Guardians are just rocking with their established armor sets. No one’s running around with mismatched gear or anything.

All of that has been streamlined to cut down the micromanagement aspect of Destiny for mobile. There’s still micromanagement but the amount of stuff to manage is reduced.

Gameplay and Adventuring

I’m certain the build crafting and micromanagement are big draws of the franchise for some players but this game shines with the actual adventuring and in-the-field stuff. The activity and menu UI sets up everything in mainly one location while checking your ghost (your Light imbued companion who guides and revived you).

From the main story mission to PvE, PvP, PvPvE activities, players can find it here along with stuff like rankings, the map, season level, characters, and items. Just like the main games, selecting any kind of adventure or activity will get it started for matchmaking.

There are some adventures that require the player to travel to certain areas. The game will drop you in the region at the closest fast travel spot but there might be some hiking required to the objective. It occurs for some main story missions but for specific characters that aren’t Wolf, the game just drops you in the location their story takes place.

The gunplay in Destiny: Rising is really good. It’s not to the level of Destiny 2 but for a mobile adaptation, it’s really fun and easy to learn. The game allows the player to experience the game in third-person or first-person and I strongly remember going with first. When using super abilities, the perspective is snapped to third-person for the duration as it does in the main games.

I found it odd that third-person was even an option but NetEase Games tend to offer both.

Loot and Odds N’ Ends

Any combat activity or adventure rewards loot in the form of leveled engrams (which can have weapons, weapon mods, etc), one of the game’s various currencies, fragments that can make full engrams), weapon enhancement material, and miscellaneous loot that can be used for other activities.

For instance, you could get bait for fishing from doing strikes or whatever activity. Fishing itself rewards nothing but the fish and occasionally guns, but fish can be sold for fishing shop currency—which can then be used to purchase a variety of fishing and non-fishing goods.

Matchmaking for fire teams tends to be very quick. Very rarely have I left the matchmaking or mission screen because the matching was taking a while. Players are even warned that matchmaking could take a while because of a low participation pool (which I got twice).

Speaking of warnings, in a nice bit of a quality of life feature, Destiny: Rising warned me that a character mission would take at least 15 minutes. I greatly appreciated that.

Another warning: this is a gacha game as far as the meat and potatoes of its business. That means some characters can be purchased and getting the battle pass is recommended but not necessary. The extra bonuses are nice but the grind isn’t too bad in this game. Hell, I primarily grind strikes and other PvE activities…and fishing.

The first wave of characters can be gained via pulls using the associated currencies. Those can be purchased as well or gained as a potential reward. Expect Rising to push players more towards purchasing content when even better or more interesting characters are released.

As a matter of fact, two new characters have been announced as coming soon. All of that said, I say that Rising is a game worth playing.

Will you be play or pass on Destiny: Rising? If you’re already in, what are some of activities and characters you enjoy? Let’s us know in the comments and if you playing, feel free to add me: MetalSwift.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Two strengths for Saints Row included always having fun locations and its turf war approach. We’re going to look at both.

Location, Location, Location

Open-world crime games typically run with a fictional location inspired by a real world city. GTA has Vice City (Miami), Liberty City (New York), and San Andreas (Los Angeles, San Francisco and Las Vegas) while Mafia has Lost Haven (Chicago), Empire Bay (mostly New York), and New Bordeaux (New Orleans).

Saints Row has its own fictional areas with Steelport and Stillwater being the two main focuses. The 2022 reboot introduced Santo Ileso which is based on Las Vegas. It’s another strong location but there were a few things that didn’t make this a contender for replayability for me. It wasn’t a dismal game but it wasn’t as fun of an adventure as the previous four were.

That’s for another time.

Stilwater in Saints Row 2 and Steelport in SR: The Third were my favorite locations in the franchise. The player spent the first SR game assisting in taking a small gang to the top of the city only to wake up from a coma and find the gang in shambles. Not only that but they’ve lost a lot of turf and parts of the city are changing.

Mind you, between the first and second game—canonically five years apart—the city grew in size. That just meant more room to groove, more space for chaos, and more activities! You could even go on the stroll in SR2. That was very new when you’re used to just picking up sex workers in GTA games and having them drain your money while the car rocks.

In SR: The Third, the gang has gone from a recovered street gang to gangsta celebrities. They’re in a different city away from their power base of Stilwater and the Ultor Corporation isn’t the threat here. Steelport is run by The Syndicate which is made up of three gangs. There’s also the threat of the government’s anti-aging task force which has shown up to drop the hammer.

At the time, there were grumblings about the new location but there will be grumblings about any particular feature or element of a game. I did find the city to be not as active as Stilwater while appearing to be larger—which is always a problem.

That aside, what you were able to do in the city and missions that had you out and about in Steelport were very fun. It also helps that the team you put together in SR2 are better rounded out which is something that would continue in SR4 with the characters having matured while remaining immature and bringing in some new faces.

Turf Wars in Saints Row

Turf wars or gang wars made their debut in open-world crime gangs with GTA: San Andreas. Saints Row, The Godfather, and to a degree Mafia improved on that mechanic. Of the three, Saints Row did the most with it because it was tied closely to the gameplay and story.

Volition got away from that element somewhat in SR4. Sure, there’s still turf to fight for but your main character The Boss is trapped in a simulation and the main opposition comes from an alien controlling things.

No, the first three Saints Row games and to a lesser degree the reboot got turf wars right. Rival gangs were introduced, they were prominent in areas they controlled, and the main missions focused on taking them down and taking over their spots. Success resulted in some perks for the gang, being able to go through a piece of turf without enemies lighting you up, and seeing Saints purple on the map indicating your territory.

Sometimes the battles were pretty spicy, especially if the law showed up or were just passing by. Most of the times, it was your usual slam all the enemies in this mission until you wipe the waves or achieved some objective. In some ways, it was very straight forward but it wasn’t purely “clap the ops to sleep.”

That was the San Andreas approach and sometimes it didn’t work when a stray Balla gang member was stuck somewhere or at the border of the block or turf you were fighting over and you couldn’t find them. It was always that one guy.

If you’ve played the Saints Row franchise, what was your favorite and least favorite title? Also, it was mentioned in passing but have you played The Godfather?

As always, let us know down below!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Meanwhile, a gamer could feel strongly about a title and want it modernized or to at least get a sequel—yes, decades after the previous release. Obviously, I’m not a game designer or associated with a developer, so you can guess which group I fall in with this list.

We’re going to look at five titles that could do with a comeback season whether it’s a sequel or a reboot.

Sleeping Dogs (2012, United Front/Square Enix)

Sleeping Dogs is considered the spiritual successor to the True Crime series, a PS2 GTA-clone where the police detective element was the focus. The True Crime series was supposed to have a third entry based again in New York—that later became Hong Kong with United Front’s work on the then unnamed title. However, that was axed by Activision. Mind you, the True Crime: New York City did have some big-name TV and film actors doing voice work for a game that…it flopped, folks.

We’re talking less than 80,000 units sold in its first two weeks. That lets you know that this wasn’t going to meet the budget put into the game at all.

Then United Front came along with what would become Sleeping Dogs after Activision passed on publishing it. The rest is history: it was received very well and presented enough that a sequel wasn’t out of the question. Performance-wise, it sold enough units to warrant exploring a sequel—yet here we are.

The game was supposed to see a sequel which followed the future cases and adventures of Shen and was to feature a mobile gaming aspect that impacted Sleeping Dogs 2’s gameplay. While there is no sequel on the horizon, the license was picked up and is being turned into a film.

Kengo (2000, Genki/Crave)

Let’s get into even older franchises that have seen no recent developments—such as Bushido Blade. Well, let’s go with the spiritual successor: Kengo. While Bushido Blade added a realistic element to the 3D fighting game genre with wounds and bleed outs resulting in victory or defeat, I enjoyed Kengo’s approach of putting the player in the shoes of a traveling swordsman.

This wasn’t going through different parts of a village and slaughtering the opps and their heavies. No, you went from established dojo to established dojo to practice, learn techniques, and apply those techniques in duels. Then you fought the masters of the dojos and eventually participated in the imperial tournament. Outside of the absence of some slice-of-life stuff, this was basically a swordsman simulator.

Now, the third entry was a bit of a bust because it was a garden variety fighting game with swords and we already had Bushido Blade 2 as well as Soulcalibur and Battle Arena Toshiden by that time.

Rival Schools (1997, Capcom)

On the one hand, it’s like—there are enough fighting games out there, do we really need to bring back one from almost 30 years ago? Especially if nothing new is done, it’s just a return of this game’s roster. Capcom even did something new with Street Fighter 6, so a Rival Schools return would have to be something fresh instead of an expensive investment in nostalgia.

I say add aged Rival Schools characters to the Street Fighter roster because Capcom had some great characters from the R.S and Street Fighter EX titles. Batsu? Skullomania? Yes, add them to the roster.

Inindo: Way of the Ninja (1991, Koei)

I can’t say enough good things about this Super Nintendo title. It was like playing as an officer in Romance of the Three Kingdoms in turn-based JRPG. For a game released in 1991, it had features that would make many RPGs worth playing multiple times. The main feature is the recruiting of allies actively forming a rapport with them.

However, some potential allies or teammates might not agree with your motivations, or they might believe that serving Nobunaga is the ultimate job—when you’re trying to take him out for razing your village.

The other major element is that each month, the landscape/map is updated with the battles that went down. The player can work for a daimyo and by doing mission for them successfully, they can participate in battles. Meaning, they can impact the power dynamic in feudal Japan and probably weaken Nobunaga’s influence.

With the advancements in development and writing over 30-plus years, I’d say Koei could make the ultimate ninja game if they decided to revisit this title.

Alpha Protocol (2010, Obsidian Entertainment/Sega)

Listen, Alpha Protocol wasn’t perfect at all and at times it could drag at points, but the game was one of the best espionage games made. The only franchises or games I would put over it are Metal Gear Solid and Deus Ex (under Square Enix). Having to travel to different locations around the world for missions, decisions that impacted future missions, a decent combat system that could’ve been more polished in a sequel—Alpha Protocol had the makings for a good, regular series for Sega.

It was a spy game that was purely about spycraft. This wasn’t a shooter based around a spy or spy fighting game, no—stealth was necessary here, folks. Negotiation was necessary as well. You could tell that Obsidian Entertainment had plans for the gameplay mechanics in place and that more could’ve been done with those mechanics.

My two gripes with AP are that the game felt a little short for what was going down—it’s the same feeling I had for Deus Ex: Human Revolution—and it ended on a something of a cliffhanger. The combat, camera, and all that didn’t bother me as much as it bothered others, but a cliffhanger will always burn my biscuit.

What are your five games that you’d love to see get a reboot or sequel? Let us know in the comments!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

It should be noted that the studio had another big project in that decade with the highly acclaimed Red Dead Redemption II. So, Rockstar hasn’t been idly twiddling their thumbs while Online printed money. Work was being done in that time and on the Grand Theft Auto front, a lot has been done.

There Was Another Trailer on GTA VI Day

Although, Rockstar was giving a lot of time to GTA Online—especially during the COVID-era boom for GTA V with FiveM and player servers keeping the game active. It’s just that there were players not on Online doing things they’d like to do in Online. Yes, GTA roleplay.

The GTA VI trailer gave us a cinematic look at the iconic Vice City from the 2002 titular game—40 years into the future. Rockstar has a real talent for capturing American mainstream culture in specific periods of time. The present day seems to be easiest but I recommend a quick jaunt to 1984 Vice City and 1992 Los Santos.

That aside, this trailer was a great drop on a day where the only trailer that I was aware of is the new expansion for Destiny 2. Actually, my brother was considering getting back into Destiny 2–as was I for the summer—when he sent me a text that the GTA VI trailer had dropped…the same day as the trailer for “The Edge of Fate” trailer.

This is Grand Theft Auto VI we’re talking about. There’s going to be about 13 years between the two main series titles. It’s smarter to just move your trailer release date if you want to snap up some more casual players or those not familiar with your game or series. Then again, it was a well-received surprise drop.

Destiny 2: The Edge of Fate Trailer

With that said, Destiny 2’s trailer was also great. Bungie tends to really deliver with their trailers with one important inclusion: combat gameplay. When looking games on the PlayStation Network, you’ll find a lot of trailers are cinematic in nature. That’s fine, that’s a developer choice but if it’s anything but a business or trading sim—show the combat in the first trailer!

Yes, we’re in a time where the writing is more layered and gives more lore but we’re also in a time where developers really want you to see these mini-movies. Not only the reveal trailer but also the follow-up. You can be three or four trailers in before the devs actually focus on gameplay and combat—if available.

Not Bungie. Oh no, they mix cinematic cutscenes and story cues with in-game combat. Oh and they show off the new guns and abilities. The studio knows what we mainly show up for and they whet your whistle for it because to be honest: at a certain point in the season, you can dip out and play something else. It’ll be a bit before the next chapter in the story is released and if you feel you’ve done enough that season, why not?

The main thing about the trailer for “The Edge of Fate” and Destiny 2 in general is it’s a title very much for the hardcores. If you’re a fan of Destiny or maybe even Bungie’s work, the trailer is geared towards you. You’ve likely followed the story actively, you might live in PvP, your sole goal in the game might be to hunt down the best rolls on weapons you enjoy using—but you know your sh** about Destiny. Myself, I exist between casual and hardcore for the series. I’m in it mainly for the gunplay, loot in PvE, and slamming in PvP—the trailer did its job.

From what I see from the two releases, the GTA VI trailer hit harder because of the amount of time between the two games and the release date reveal. That combination will always do it for an acclaimed series. With Destiny 2, it would probably take announcement of Destiny 3 to get a similar—but not exact buzz.

That and Rockstar not announcing a new Bully or Manhunt.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Legend of Zelda: Ocarina of Time’s Hyrule Was Pretty Bare

I first played Ocarina of Time in 1998, it was my Christmas game that year. The hype around in GamePro, Game Informer, and Nintendo Power was immense. Most of the gaming magazines at the time were into this game. The commercial for OoT sold me since I was heavily into fantasy stuff like Xena and Hercules at the time.

Now, for the power limitations at the time and this being Nintendo’s first attempt at something more involved—Link had an inventory and an armory all on his person—Hyrule Field was bare. Honestly, it should’ve been very safe to travel Hyrule Field.

Then again, when you see how spaced the major towns are, how they’re all set up on the border of the overworld map, and how dangerous it is just to get to Zora’s Domain, Goron City, and Kakariko Village…

Well, Kakariko Village isn’t a particularly dangerous trek but Goron City is within proximity of Death Mountain. Enough said. Considering that: who would bother leaving their towns? It’s just a trek from anywhere you’re coming from in Hyrule. There should be no issues traveling during the day. Decades later and I’m thinking “It would’ve been nice to have some bandits or orcs during the daytime.”

Link had a sword, Link had a shield: let Link slam! You could definitely slam if you headed into the different area maps en route to another town—day or night. Hyrule’s different chiefs/leaders didn’t have the best security in mind for their domains. I mean, I guess knights patrolled Hyrule Field but you never saw them.

Nintendo Has Done an Amazing Job with Hyrule Now

Nintendo would work on this over the decades to make Hyrule a world worth venturing through. In each Zelda title, you could see there was a goal to make the land of Hyrule more alive. Link should’ve had memorable interactions with the locals given he’s working to save the world.

The first step was in Ocarina of Time just by having a day-night cycle. In the late 1990s and early 2000s, you’d see more game exploring this mechanic. When paired with Zelda or Pokémon, it adds a sense of a passage of time for your adventure. This isn’t the longest day as it was in Pokémon Red or Legend of Zelda: A Link to the Past.

The Wind Waker and The Skyward Sword opened the world up some more, there were more inhabitants of the world. Then we get to the Breath of the Wild and Tears of the Kingdom—the closest to the realization of a living Hyrule. I say “closest” because developers can always push an element of gameplay.

Just look at the open world in Fallout 3 compared to Fallout 4 where there are fewer settlements or towns that need a transition screen. There are more places that you merely walk into or open a door. Something as simple as that is big for a complete or perfect open world setting.

While it wasn’t a perfect open world and a lot of things that were promised just didn’t get done, Fable is a game where the open world managed to do some simplistic elements you’d expect. Such as: walking right into someone’s home without a brief loading or transition—a 2004 accomplishment.

On the note of Breath of the Wild and Tears of the Kingdom: the addition of the player using any weapon they can get and those weapons having durability? Amazing combat mechanic, compliments to the chef.

This Is the Way

It’s not unusual for developers to “Bring the game back to its roots” but I say keep going forward with The Legend of Zelda. Go back to the roots for an action-puzzle project but for these titles with cinematic cutscenes, improved mechanics, dialogue, and lore pushing stories—make the quest an adventure. Keep it open world and let Link and the player to explore the world.

Why not? Link either constantly misses whole swathes of time because they’re in mystical eternal rest or has been reincarnated and lives in the boonies. Let Link experience the world. Don’t just shotgun one of Nintendo and gaming’s greatest heroes through towns they’re never revisiting and puzzle-riddled dungeon after puzzle-riddled dungeon.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Myself, I came in expecting a decent starting point for the DCU. Even if it didn’t absolutely wow me, it was a strong enough reset of DC film for other films in the universe to grow out of.

Well, stick around because this film actually had my brother and I speculating and expecting by the end of it.

Superman Returns

Some time prior to the film’s release, James Gunn noted that moviegoers would be introduced to an experienced Superman. No, he’s not decades into this save-the-world jazz but he had been doing this for a while now. I loved this part because we’ve seen Clark Kent done the cape and try to figure this out for decades.

Just skip scene this time and boom: 30 minutes of film saved on origin story. Instead, we’re dropped into a situation where Supe has recently gotten involved in a border dispute where a larger, better armed and financed country has focused its aggression on a smaller country.

While his involvement becomes a philosophical point about Superman’s choices and responsibilities, it’s actually a underlying plot to Lex Luthor’s plot against the Man of Steel. Again, we’ve skipped the origin story of these two, they’ve tangled multiple times by this point, and this is the end game for Luthor. He’s breaking out every piece from the evil super scientist besides a giant robot spider that fires lasers and approaching this as a multi-layer assault on Superman.

I enjoyed this approach because it was like getting multiple Superman vs. Lex stories in one film. However, it wasn’t like Lex was endlessly bombarding Supe with issues—that would just be cartoonishly 50s evil villainy. No, it’s all part of a plan involving subterfuge, distractions, and so on.

I mean, this is the most powerful being on planet Earth, you’ll need more than bioengineered super beings and super soldiers to clap Clark.

Gunn’s Strength Shines

What I’ve always liked about James Gunn’s work is his ability to write likeable characters. Likeable to the point where I’m like “Give these guys a film or a series.” He used the late 2000s All-Star Superman comic book series as heavy inspiration as far as characters. After watching Superman, I had to go back and give it a read after a decade. As Chris from ComicTropes pointed out in his dive into the series, it’s inspired by my favorite Greek myth tale: The 12 Labours of Hercules. It made for a digestible series where the reader didn’t have to bounce among books to fill in details.

What really stood out in this series handled by Grant Morrison and Frank Quitely was how the characters featured were depicted. Some could be sympathized with despite their actions, some you felt for, others you could get behind. It was a mix but it was all rooted around how Superman treated them all with compassion and understanding, their impact on him, his on them. It was a Greatest Hits of Superman with the Man of Steel being showcased as this beacon of humanity. The best of us in every extreme or odd situation.

That was reflected very well in Superman. Clark is just up here doing the best he can while being questioned about it—even when it’s obvious that something had to be done. The world turns against him with a surprising revelation that was nabbed from his Fortress but he keeps on keeping on.

Gunn’s character work came to the forefront with his writing of Jimmy Olsen, Guy Gardner, Lois Lane, Metamorpho, the Kents, Lex Luthor, and Mister Terrific. Some characters interacted more with each other than Superman himself—mainly because the state or situations Supe found himself in—but the characters are done well enough that those interactions were either interesting or humorous.

Get the Ticket – Yay or Nay: Yay

Some superhero film fans like the grim-dark approach of the late 00s-early 2010s but the colorful and vibrant approach of Superman—coming with a good amount of banter—is something I dig.

I didn’t even get into the fight scenes or depiction of Superman’s powers. Both were good, I could’ve used more heat vision—my favorite Superman power. Featuring foes who could throw hands with the Man of Steel really showed just how much Lex needed to offload to take him down or distract him.

Ultimately, I had a blast watching this and the theater was into it. I never got the feeling that the film was dragging at any point and some of those lines—especially from Jonathan Kent—really hit. I’m really hoping Gunn explores a film with the “Justice Gang” because they shined here but who knows what Earth’s next threat will be. At least it won’t be a total scramble to get some heroes onboard and working together to tackle it.

Score: 9/10

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Dead Island 2 Slams

So, getting into Dead Island 2, I had seen streams and was interested. I’d played Dead Island, Riptide, and Dying Light—same developer, same theme, same approach, different gameplay—and enjoy Techland’s work with zombie apocalypse stuff.

The studio found the perfect blend of over the top fun and action with difficulty and danger. The first two Dead Island games feature some base protection—an important part of zombie survival—but Dead Island 2 is more about exploration and action.

Most puzzles can be solved by exploring and finding a key item. There’s little parkour-level climbing as is the case with Dying Light. We’re talking simple mantling, putting stuff in stuff, unlocking doors, and killing zombies.

Simple and straightforward.

Of Course the Chosen Survivor is an Errand Runner

As with any open-world action or action RPG, your character—one who is immune to zombie bites, a walking killing machine—is often sent out to retrieve something or save someone. Unless you’ve got a buddy to play with, it’s all on you with no AI partners for the most part.

There are some situations or areas where humans might fight the zombies but for most of the game, living humans are either huddled together safely somewhere or zombie meal. Because there aren’t that many people willing to brave Hell-A, you’re left to run everyone’s errand and find their loved ones.

It’s honestly no different from Fallout and everyone giving the Lone Survivor work—and mostly mediocre pay. Well, in Dead Island 2, the pay is often some decent weapon for your level but those mission tend to be very involved.

That’s Called “Incentive”

That’s a large part of the fun of Dead Island games: using judgment, being patient and improving your arsenal and abilities. For the time that they come out, the games feature big enough game worlds for you to find something to do and level up.

Normally, I take a “I’ll do it when I do it” approach to achievements and challenges but in games like DI2 and Borderlands—ehh, I put in the effort. I’m actually learning the controls to where I’m better than good with timed dodges and blocking.

Now, that’s a big improvement for me because I build every character in every game like a rogue or assassin: damage and criticals. In this game, I’m actually trying to master moves since effectiveness in combat allows you to beat a challenge and get some bonus.

That’s what challenges should do and you notice more games doing it. This stretches out the game a bit as it encourages exploration and discourages blitzing through it—and Dead Island 2 like the original isn’t a game to blitz through.

Similar to Farcry. Combat makes up a huge part of both games with Farcry featuring a focus on territory claiming but rewarding exploration is a large part as well. Both franchises work within large worlds, after all.

How Can We Not Focus on Crafting?

Crafting is something I will sink minutes into whether it’s to boost the armoring/blacksmithing/crafting skill, to produce gear for adventuring, or to engage in enterprise. It’s a feature that tends to feed into other features in a game such as an economy, exploring or raiding for resources, or even lockpicking and stealing.

Personally, I feel that crafting is the straw that stirs the drink in a game. It keeps players engaged to make the perfect weapon for them or for this build. In DI2, crafting will have you looting anything with a white outline, wondering where the next workbench is—never mind that map—and trying to juice up your weapons with damage and status upgrades.

I dig that, I’ve gotten into a preferred combat style with faster weapons using Jacob and I’m having a blast discovering new mods. It’s making me more conscious of my resources for crafting and consider selling over scrapping.

Overall, this was a great release for 2023 and I’d say that the single player campaign is still worth playing now. All the involved gameplay mechanics work within sync for this fun zombie-slaying experience.

What were your thoughts on Dead Island 2? Let us know in the comments!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

The first time I played the franchise was Borderlands 3 a few years ago. Like Destiny 2, my brother tried to explain the storyline and lore leading up to be BL3. While I’m interested in different franchises’ lore, sometimes there’s so much to get into in one sitting or during gameplay—a lot to explain as well.

I mean, I’m not even a big fan of lore dumping in games with lengthy dialogue. I use the “Skip Scene” button frequently because a character has over extended their dialogue.

In-Game Dialogue is a Strong Point in Borderlands

Then you get to Borderlands. While there is story to explain, characters tend to take the time necessary based on the immediate severity of the situation. Dialogue could be rushed and urgent or more relaxed when there will be something of breather in the story.

Sure, there will be plenty of combat but the pacing of BL is such that you’re not rushed along from one story act to the next. The side missions and multi-part acts encourages players to explore. It helps that the dialogue isn’t trying to hold you so that voice actors can get their sh** off.

Of course, it’s simply how characters are written but some characters in say Destiny 2 speak as if the situation isn’t as serious as they tried to impress upon you. Honestly, wrap it up, we’ve got to protect the Traveler.

Improvements Over Time

So there’s a contrast between the space western and the sci-fi epic. Both do have great gameplay as far as combat is concerned. The gunplay in Borderlands improved with each game starting from a pretty good spot in the first one where the guns were decent depending on what you preferred and how you played.

What also hindered this but I kind of enjoyed was that certain guns were better suited for certain classes in the first game. In the second game that was improved along with explosives being more useful and effective.

The Pre-Sequel introduced new motion mechanics with moon gravity and needing to get oxygen. It added this sliver of survival that wouldn’t dominate the game’s main approach and make it something different.

On that note, a survival game in the BL universe either single player, multiplayer or MMORPG? That could be interesting. After playing games like Destiny 2, Diablo IV, and Ghost Recon, I’d say Borderlands is a game that could do the live service, game lobby approach. The game lends itself to that scale of online play.

Then we get a game like Tiny Tina’s Wonderlands, a fun, fantasy spin-off. I always like when a studio realizes it has a formula and just applies it to a different setting or genre. Sometimes it’s that simple.

By BL3, everything had been improved, weapons felt unique by manufacturer and firing mode—Dahl and Jakobs guns can be monsters in this game. Also, movement got the biggest improvement in the series thanks to the simple inclusion of mantling or climbing.

It might seem minor but remember that Borderlands was released when mantling and automatic climbing had become standard in first person games. So, this was pretty damn big for the series.

With Borderlands 4 coming out in 2025, what are some features or directions you’re anticipating? What are some of the features or characters you enjoy from the series—I’m a Zer0 fan.

Share your thoughts below!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.