Tongari Boushi no Atelier, or Witch Hat Atelier, is a Japanese animated series (an anime) that started airing in April 2026. Produced by BUG FILMS, it took approximately 3 and a half years for the adaptation process of the manga, of the same name, to be completed before its premier. The hype following the announcement and release of the series was to be expected considering how the manga received critical acclaim after winning the Best Manga Award of 2025 at the 37^th Harvey Awards – outshining even One Piece.

Because of this, it felt only right to watch and review whether the anime lives up to the standards of the manga it is based on. It has already been a couple of weeks since Witch Hat Atelier came out, but it is never too late to express your thoughts on something that directly captures your attention when it does. This review only looks at the first episode of the anime because first impressions always matter.

Summary and Analysis

Overall, the plot of Witch Hat Atelier features a little girl named Coco who aspires to become a witch due to her immense love and admiration for the art of magic. Unfortunately, in the world she lives in, only those born and blessed with magical powers can be witches. All of this comes to head when Coco, after seeing a witch named Mr. Qifrey use magic, discovers all she needs to wield the mysterious and alluring power is a pen and a casting seal. From then onwards, adventure and intrigue ensues.

The series opens with our main character, Coco, questioning in a neutral tone whether the identities every person adopts is inherently known – thereafter she answers herself by stating how “These things aren’t decided at birth”. This opening scene already speaks to what kind of person Coco is. It insinuates that she is perceptive about the world and realistic about what she can be and cannot be even though she has an intense desire to become something she admires. Her optimism, however, almost attempts to blindside the viewers and have her appear as ignorant and naïve about how the world worked – even though that is not the case. We can see this in a flashback when her mother explains why and how she could not be a witch, leaving her disheartened, only for the next scene to be Coco enthusiastically trying to cast a spell whilst role-playing a witch. These scenes of the episode did well in revealing the duality of her character.

The overall mood of the episode is relatively down-to-earth. It is calming in a sense whereby we as the viewers are getting to know the characters, especially our main character. We can feel this mood shift when Coco tells the story of the time she met a “witch in a mask”. The change is not drastic, but there is something about the way Mr. Qifrey contemplates Coco’s story that gives it a sense of foreboding. Another scene in the episode that gave off this feeling is when Coco began experimenting with the pen and casting spells from the book. Just watching this scene would put any adult with a child on high alert because Coco, a 10 or so year old child, is evidently ignorant on how magic worked and the potential scale of its destructive power. The episode did well is setting up these shifts in tone and mood as the viewers can now anticipate how the upcoming episodes can make them feel and whether or not they are willing to go through that.

Another noteworthy aspect is the recurring image of the book. Not just the book Coco got from the masked witch but throughout the episode – from the start with Coco’s monologue to the end where the episode ends with a shot of a book’s page flipping to the next. This recurrence obviously points to the masked witch and how them giving Coco the book of spells started the whole story, but it can also symbolise a newfound knowledge and experience. In the series’ case, that is the recurring image of the book symbolises Coco’s new enlightenment into the world she had always dreamed of experiencing. That is why the episode ending with a page turning signifies a new set of ideas and understanding that Coco is about to acquire about the “mysterious and sparkly, valuable and pretty” world of magic.

Animation and Voice Acting

The animation style is nothing short of breath-taking. It is smooth in the way the characters move in the settings they are in and how natural and realistic these movements are. The scene where Coco cuts a piece of fabric for Mr. Qifrey directly captures how delicate and precise the animators of the episode (and perhaps series) were in every frame they animated.

The only downside – but not too much of a downside – is the voice-acting in the series. This judgement is specific to the Japanese voice-acting. There is nothing bad about it, but there is nothing special either. It almost felt as though it was done to serve a purpose; the script said Coco needs to be happy, so the voice actor spoke in a happy voice; the script said Mr. Qifrey needs to be carefree, so the voice actor used a light-hearted tone in their speech. Not to diminish the work put into bringing the characters personalities to life, however the voice acting can be praised in the same light as some other anime already out there.

Closing Words

In closing, the series is a definite watch, especially if you are interested in fantasy, magic and adventure. The medieval fantasy aesthetic makes it even more appealing to watch, and it really gives off the vibe that the anime takes place in an alternate world where magic is part of people’s everyday lives though strictly observed by the witches who can use it. Which makes it even more exciting for what’s to come in the following episodes regarding the worldbuilding and magical systems put in place.

So, if you are a blatant fan of the Harry Potter franchise, The Lord of the Rings trilogy or literally any isekai anime with magic and overpowered characters, then Tongari Boushi no Atelier is without doubt made for you.

Staff Writer; Fadzai Nyamande

A South African who brings her love for fiction, manga, and storytelling into every piece she creates. Her writing is shaped by imagination, curiosity, and a true appreciation for the worlds stories can build.

Feel free to drop a note at; FadzaiN@AfroGamers.com.

Following this train of thought, we are going to discuss the recurring types of evil sisters who keep sweeping across multiple manhwa and manga today, as well as identifying whether there are any that exploit the trope interestingly.

The ‘steal your fiancé’ Evil Sister

This type of evil sister is quite self-explanatory from the title alone, as her main objective for part of or throughout the story is to steal her own sibling’s fiancé – or in the words of historical romances, her betrothed. There can be different reasons for why the antagonistic sister finds the need to do this, except her expressed feelings on the matter always have to do with hating her sister. One reason for the hate can be the evil sister feeling inferior to her ‘good’ sister. For example, in My Sister Covets My Fiancé, Katherine feels threatened by her little sister, Neris, simply because she is another daughter to be loved and cared for by the family – instead of it just being her alone. By taking advantage of their parents favouring her more over the sister she hates, Katherine feels more confident causing trouble and making life more difficult and miserable for Neris – just like seducing the man she loved would do.

The ‘steal your fiancé’ scheme has typically been portrayed as part of establishing one sister as the story’s antagonist whilst being used for the other sister as a learning opportunity to become a better version of herself without seeking the male validation she had previously sort out.

Even with this idea being overused over and over again, some stories slip through in their unique employment of the trope. Such as the manga, Proud to be the Villainess, where the trope is completely subverted by having the ‘evil’, fiancé-stealing sister turn out to be good and not as malicious as she had previously portrayed herself to be – in other words, the evil sister was written to be an unreliable narrator.

The “I’m the real daughter” Evil Sister

“I’m the real daughter” is a phrase that goes hand-in-hand with the fake daughter trope often seen in Asian media like Chinese dramas and Korean dramas. There are comics that follow the same template as these dramas whereby the rich, real daughter and poor, fake daughter are switched at birth and years later into the plot conflict arises because of that switch. However, what manhwa and manga do differently is that they deliberately have the so-called ‘real daughter’ be unkind in her intentions towards the ‘fake daughter’ whilst she tries to get her biological family to cast the fake one out.

As a narrative strategy, the “I’m the real daughter” situation can be seen as a way to evoke sympathy from the readers for the fake daughter who may or not have to experience rejection from the family she once knew and loved. Though, as a plot device, it can be used to reveal how critical an introduced character can be beyond what is directly stated at the beginning of the story. Looking at I Am the Real One, the identity crisis of who the biological daughter of the Grand Duke is-is a significant part of the story yet acts to present dramatic irony (where the readers know information the characters don’t) regarding the conspiracies revolving Cosette (the ‘real’ daughter) which have to do with the actual reason she decided to reunite with her biological father.

The ‘power is mine’ Evil Sister

This is quite the interesting variation of the evil sister because of how it can easily turn the manga/manhwa from a slice of life or romance story to a drama or even a horror. A key element involving this type of sister is usually the inclusion of fantasy and how it can go from being mesmerising to horrifying as quickly as the first panels of the first chapter. Just as we see in Into the Light, Once Again, with the antagonist Marianne (the evil sister) manipulating her entire family into hating and inevitably executing her sister Alisa; only after torturing her.

An interesting note to also make on the ‘power is mine’ evil sister type is how they can include the first two types of evil sisters discussed above. That is because in seeking ultimate power, the evil sister may aim to establish herself as the only ‘necessary’ or ‘real’ daughter of the family and doing so by having everything that is her ‘good’ sister’s (like her inheritance and her lover) be attained and made solely her own – just like we see with Katherine from My Sister Covets My Fiancé and Lorena from A World Without You. In which case, this type of evil sister can easily be described as power-hungry, attention-seeking, and covetous. And because of that, they never fail to receive the utmost frustration, infuriation and disdain from most readers of their respective manhwa.

Staff Writer; Fadzai Nyamande

A South African who brings her love for fiction, manga, and storytelling into every piece she creates. Her writing is shaped by imagination, curiosity, and a true appreciation for the worlds stories can build.

Feel free to drop a note at; FadzaiN@AfroGamers.com.

A recent pattern seen among manhwa readers – specifically, romance manhwa readers – is the adoption of this act of character information gathering just to see whether they fit the ideal image of a ‘swoon worthy’ man. The criteria to fit this ideal image is often not dependent on whether or not the male character is a good or bad person but on what the majority of readers agree to be the latest in fashion man. With that, we can explore this idea of the ideal male image by looking at the current trend of the ‘toxic boyfriend/husband’ trope as seen in some male leads like the following two well-known characters.

Bjorn Dniester from The Problematic Prince

To start off, a toxic man, or toxic masculinity, is typically linked to a man having harmful beliefs and tendencies that more often than not damage their inter- and intrapersonal relationships.

After reading The Problematic Prince, a historical, romance manhwa, we find the male lead Bjorn who can easily be described as toxic from his conceited, condescending and manipulative nature; but let’s not forget how rich and handsome he is too. He is not only a prince but an archduke who owns and runs the biggest bank in the country even with a scandal of being a divorced man looming over his head.

Bjorn is a relatively complicated character due to his otherwise ‘less than likeable’ personality traits being so easily pushed aside by The Problematic Prince audience. Readers don’t necessarily avoid pointing these out, but it is more of Solche, the author of the web novel the manhwa is based on, being particularly good at manipulating and obscuring the narrative surrounding Bjorn – so much so that we, as the readers, don’t see what is so wrong with him until another character points it out for us or we find out ourselves a little later into the story. It is with that that the toxic image becomes a lot more apparent and a sort of love-hate relationship between Bjorn and the readers ignites.

From reader reception alone (as seen on social media and comment sections), it is obvious that the only reason Bjorn can be seen as likeable is because of the ‘perfect’, detailed character background which supposedly suits some standards female audience members of the manhwa have for their ideal boyfriend/husband. Well, either that, or readers found it attractive how depressed and haggard he became after his second wife up and left him after serving him with divorce papers because he was too emotionally constipated for her liking.

Joo Jaekyung from Jinx

Secondly, to commemorate the end of Jinx (the main story) – written and illustrated by Mingwa – we have Joo Jaekyung who is also added onto the list of adored toxic male leads in romance manhwa. The thing about Mingwa is that she is known for writing toxic male characters with her most popular series before Jinx being BJ Alex – which exploded in readership during the Covid-19 lockdown in 2020. So, after Mingwa announced in 2022 how she was releasing another BL (Boy’s Love) manhwa about an MMA fighter nicknamed the ‘Emperor of MMA’, readers knew to expect something dark and heartbreaking – more so for the love interest.

Jaekyung is particularly off putting because of his violent tendencies. Not that him being an MMA fighter meant he would automatically be seen as abusive; except his aggressive speech, dismissive attitude toward certain people and behaviour bordering towards being emotionless made him a character susceptible to audience criticism. Unlike Bjorn, he was purposely written to appear as horrible a man as he can be. Which worked, because the Jinx fandom did not hold him to as high a light as some toxic male characters out there, and even went as far as calling him a ‘horse’ to make fun of his facial features and likening him to a breeding horse.

At least that is until … the Redemption arc!

When it was revealed that Jaekyung was the way he was because of the type of childhood he had – absent mother, abusive, neglectful father, living like a street kid – readers’ attitudes slowly began to turn around. Even after everything that Kim Dan, Jaekyung’s love interest, went through at his hand, some readers had gone on and excused his harmful behaviour and assault citing, “He will learn to be better” and “Kim Dan can change him”.

Although the toxic masculine archetype is not every romance manhwa readers’ cup of tea, but as of late, a good amount of the readers – especially female readers – find themselves leaning more towards favouring these types of male characters. From Joo Jaekyung’s redeemable qualities to Bjorn’s less than recognised appeal, romance manhwa of the modern-day are actively making an effort to have their men not always be the chivalrous type. If you look carefully, these types of stories that almost make it a mission to focus on these types of men carry an undertone of romanticisation. Whether these refer to an effort to feed reader obsessions or just to desensitise and normalise it in societies that have slowly gained consciousness on how harmful and damaging these attitudes and behaviours can be is still uncertain.

All that can be said is other romance manhwas like Tears of a Withered Flower, Cry, Even Better If You Beg and My Beloved Oppressor continue being churned out and read by massive audiences that may critic the themes shown, however, still demand more be written and published. So, next time you find yourself reading a manhwa, romance or otherwise, and feel like you are falling for the surface-level act of a character, think twice about how they’re really like because you might find that you are accepting and resonating a little too much with their toxic actions and behaviours – especially you ladies out there!

Staff Writer; Fadzai Nyamande

A South African who brings her love for fiction, manga, and storytelling into every piece she creates. Her writing is shaped by imagination, curiosity, and a true appreciation for the worlds stories can build.

Feel free to drop a note at; FadzaiN@AfroGamers.com.

Knowing this, going back and reading the series would beg the question “Why?” At least for some. Between the character’s creation in August 1962 and the publishing of Ultimate Spider-Man in October 2000, we would see multiple comics, cartoons, and films focusing on a teenage Peter Parker coming into his powers and facing off against familiar villains.

In short, the concept was tired and ran down. That’s why Miles Morales was received so well. It was something new and half of the original team—Bendis—returned and deliver on the execution. That’s where the original Ultimate Spider-Man gets a chance. Execution.

Bendis could’ve given us the exact same tale but Marvel would’ve gone for it. Plus, the rest of the Ultimate Marvel universe was focused on a modern spin on classic heroes. So, is Ultimate Spider-Man worth a read? Let’s find out.

Ultimate Spider-Man (2000-2009)

This series was basically the flagship for the Ultimate Marvel lineup. Sure, there was a whole Ultimates comic there but this was Spidey’s show. Hell, Ultimates wasn’t even the longest running in the lineup since it was completed in under a year following thirteen issues. Sure, it came back in 2005 and once more in 2008, but again it was out after thirteen and six issues respectively.

Ultimate Spider-Man went 133 issues over eight years. That’s nothing to sneeze at. The only other series in that line to come close were Ultimate X-Men which got a hundred issues across eight years and Ultimate Fantastic Four, which was given sixty issues across five years. Of course, the Fantastic Four should’ve gotten that many since it was the Marvel Universe’s top team for decades and the X-Men are the X-Men. Everyone loves the X-Men because everyone has at least one favorite mutant and stories are often timeless.

That Sliding Timeline

First thing’s first, Ultimate Spider-Man as well as the entire Ultimate Marvel line still worked within Marvel’s janky “sliding timeline.” While the sliding timeline isn’t particularly confusing, it leaves a ton of things unanswered. Namely, the fact Captain America fought in World War II which is depicted in the Marvel Universe, referenced frequently but never establishes a concrete timeline.

There’s a good reason for this. Business-wise, Marvel wrote itself into a box where it has a number of popular, established characters that it doesn’t want to phase out entirely. As a result, most characters don’t age, they get numerous stories.

Marvel explains that these stories happened in just a few decades and don’t go by real time. Okay…I guess. To bolster this, the numerous incidents of time traveling and time tampering affected Marvel’s time to some odd degree. Alright, we’re getting to something that makes some canonical sense. As far as the Ultimate Marvel universe is concerned, it shouldn’t be impacted by anything of this until the Secret Wars storyline in 2015.

Honestly, its why I’m more of an Astro City/Valiant Comics reader. The timeline is what it is and the timeline goes straight forward—even with instances of time travel being an important part of Astro City.

Content

In regards to the artwork and writing, both were extremely good. The execution in a modern retelling of Peter Parker’s life as Spider-Man worked here. Some people didn’t care for it but that’s often the case with comics, right? But I felt they really hit it out the park. I got back into comics in 2007 because of Ultimate Spider-Man.

The main line of comics in both Marvel and DC can be hard to get into. This isn’t because the stories aren’t any good, its that so much happens across multiple series in the period of a year that it can be hard to jump in. And if you manage to jump in, you have to keep up. American comics often aren’t linear, they weave in with other series in a shared universe and a significant event of a larger story arc might be referenced.

This is also the case with Ultimate Marvel but since it started with a handful of series and didn’t run for decades and decades, its pretty easy to get into and read through all the series. Of the series, Ultimate Spider-Man and Ultimate X-Men were the most appealing. Bendis’ Spider-Man isn’t much different from the teenage Spidey we’re familiar with but the series entire eight year focus was just on teen Spidey.

This was something I loved because Spidey in college simply didn’t appeal to me too much and adult Spidey didn’t either. The stories were great, mind you but I just could be bothered with his adult drama. I wanted superpowered fights and Parker’s wittiness. Ultimate Spider-Man gave you both with the risk of being a teen and having to keep up his identity.

To a degree, it was something you probably missed out on if you got into Spider-Man at a certain time and didn’t go back read the early stuff.

Pull or Pass

I’ll say that Ultimate Spider-Man gets a pull. There’s great artwork, great writing, and I have to add—the covers are dope. They’ve been out for over a decade now—almost twenty years which is wild—so you’ll do better picking them up in graphic novel format. If you’re not up for buying all 27 books—although the first 22 is the main run—chances are your public library has them or can hold them. That’s how I went through them anyway. The Marvel Unlimited service is also a good way to read them.

RATING: 8.5 out of 10 (Recommended)

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Judge Cal

Originally a Deputy Chief Judge, Judge Cal wasn’t in his position for long at just a year. Prior to that, he served as head of the Special Judicial Squad—basically the Internal Affairs of the Justice Department. Tasked with keeping the judges honest, Judge Cal aspired for more power and the coveted Chief Judge position.

He made his way up the ranks via blackmail and forcing some Judges to become his hitmen. Rivals and allies were either kept in line or found themselves with a bit of permanent misfortune. Eventually, Cal became Deputy Chief. He was within distance of his goal. All he needed was to get rid of Judge Goodman. Luckily, he had some support in the way of Judges who had since become corrupted.

When Judge Cal made his move, it was already a wrap for Judge Goodman. Prior to this, his mind had been taken over, the Robot Wars had seen the population of Mega-City One take a hit, and there was uncertainty of Judge Dredd’s return from the Cursed Earth. While Dredd did return, it all took a toll on the man. This made him easy pickings for Cal who enacted a plan to have Dredd arrested for the killing of a civilian.

Dredd was sent to jail on Titan but managed to get free and clear himself. Revealing it was a robot made to look like the lawman. Since the information the robot used came from within the Department, the hunt for the man who set Dredd up was on. The whole time that Dredd was away, Chief Judge Goodman fell apart allowing for Cal to go forward with taking over. He would go on to have the mayor of Mega-City One imprisoned, Dredd shot, and Goodman killed.

Caligula’s Reign

Even though Dredd would recover—because Dredd never loses and he’s never out for too long—Cal was able to go on with his plans for Mega-City One. While he was a corrupt official who wanted power for himself, he was also an authoritarian and put the city in a state of martial law. He was also able to brainwash the majority of the judges to not question him.

The power went to Cal’s head and he became insane to the point his goldfish was appointed to his old position and is now Deputy Chief Judge Fish. At his side were two judges, one of which Cal eventually betrayed when they questioned his sanity. There was a group of citizens who banded together to fight against Cal’s reign but they were crushed by the reptile alien Kleggs that the Chief Judge brought in. As punishment, Cal had citizens executed in alphabetical order.

As expected, some citizens decided to flee the city when it was gathered that Cal was totally gone. This meant they would’ve taken their chances in the Cursed Earth. Unfortunately, the Chief Judge forced them to stay and build the wall that would keep them in. When Dredd recovered, he set about taking the fight to Cal with the help of a few almost retired judges, protege Judge Giant and his own mentor Judge Griffin.

In heading underground, he enlisted the help of the criminal Fergee. Knowing that Dredd was coming for him, Cal enlisted the help of Kleggs. The final dance for Chief Judge Cal came when he was planning to destroy Mega-City One in attempt to freeze his reign at the height of perfection—at least he felt it was a perfect reign. Dredd’s forces managed to defeat the Kleggs but were captured by Cal’s forces.

As it often happens, whenever there seems to be no way out for Dredd, he always survives thanks to some improbable shot or an ally. In this case, Fergee came through and killed Chief Judge Cal by throwing him to his death and preventing the plot.

Pull or Pass

Dredd was once again given all the kudos and it was expected that he’d become Chief Judge. He instead nominated Chief Griffin in his place, wanting to remain where the action is. Which is great, because without Dredd Mega-City One would’ve continued to lose more of its population. I mean, we’re talking over 40 years of stories and this city just gets the rough end of disasters and the like.

So is this one pull-worthy or could you pass it and read it if you come across it? It’s definitely pull-worthy purely for the peak insanity and chaos wreaked by Judge Cal. You expect Judge Dredd to pull a victory out but you’re really wondering how long will it take and how much more will Cal amp up the chaos before he does.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Against the Gods in a Nutshell

AtG is a very entertaining but occasionally head scratch-inducing series. It comes from a period when murim literature could run for a long time and was often well-paced. However, that same period also saw a number of webnovels get the manhua treatment and was often faster-paced.

We also have a lot of similar-looking protagonists, similar-looking love interests, oppressive branch families, close friends (often nicknamed Fatty), oppressive elders and seniors, and a spirit mentor who knows everything about the martial world.

Actually, Bloodstained Jasmine wasn’t a spirit mentor so much as a wounded master who could only exist with one of our hero’s spatial hand -cauldron. There are many story arcs detailing Yun Che’s rise from a teenager with busted meridians who could practice mystical martial arts to the world’s greatest martial artist.

This path is paved with defeated enemies via Yun Che’s plot armor-heavy bulldozer-grade power. Yun is extremely powerful thanks to being a regressor. He experienced three lives and was sent back to his first life as Xiao Che after taking his own life at 27 during his second life.

In his second life, he had become a great doctor, a medical genius who could use herbs, profound strength, and acupuncture to heal. When his adoptive father and master is killed by others coveting his Sky Poison Pearl (a powerful healing treasure), he takes the Pearl and goes on a warpath killing millions with poison powers.

When the martial alliance of that time responded and eventually cornered him, he merged with the Sky Poison Pearl. As a result, he reincarnated in his first life with the foundation of his plot armor in this series.

Yun Che is a Frustrating Hero

Without giving away specific storylines beyond his origin, Yun Che’ is both cunning and brash. He has a high degree of comprehension and learning that sees his become powerful rapidly but there are several times when that ability could’ve gone to waste. This is often caused either by him talking himself into a situation where someone might just pack him up or he just can’t help his curiosity and greed.

Now, heroes in martial fantasy stories are adventurous and that’s part of the fun in reading the series. However, in early adventures Yun Che was often in over his head and had to rely on Bloodstained Jasmine to bail him out at times. Mind you, this is usually after she warns him against his actions.

Without being young and dumb, he wouldn’t have gained many treasures and abilities. Plus, he had to do those to gain power and get stronger so he could protect himself, loved ones, and keep his promise to Jasmine.

Promises and Ladies

Speaking of promises, Yun Che racks up a lot of promises to keep. It keeps the ball rolling with his story as these promises are the costs for him getting many of the abilities, skills, and treasures. Promises are also how we draws his many wives and concubines. There are several times when his interactions with his love interests are unrealistic with most of the women being just smitten with him for his cunning, power, bravery and daring-do.

The only love interests who show some common sense and resistance to his wiles are those from the Frozen Cloud Asgard (including his first wife), a martial arts sect made up of beautiful women but that’s because they’re trained to largely sever ties with emotions and previous connections. Even then, Yun Che is such a casanova, some of them fall to him.

There are other elements in Against the Gods that leave me excited for battles or Yun Che administering justice yet shaking my head at him heading into high danger but escaping death (rarely narrowly). The flaws aside, it’s one of those series synonymous with manhua and this genre of action-adventure.

Overall it’s a fun series worth reading with plenty of chapters and battles.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Roughly eight years ago, we covered the sole issue of the anthology All-Negro Comics. Released in 1947, it featured seven comics handled by All-Negro Comics’ team of Black writers and artists. To be honest, the only remarkable thing about the comic is that it is a Black first in publication.

However, there is one story in those pages that was salvageable. Well, let’s say one-and-a-half. Let’s look at the stories “Ace Harlem” and “Lion Man”.

The Usual Loop of a Golden Age Comic

The antagonist typically had some scheme or committed some crime in any given issue. Our protagonist either investigated the situation before encountering their foe or they just so happened to know exactly where to go to confront them.

We can’t forget the protagonist either being able to escape any trap or having the luck to do so. If the antagonist was captured and meant to be a reoccurring character, they either escaped capture after their plot was foiled or just escaped prison.

Layered storytelling or even just backstory into the major characters involved didn’t become industry standard until the late-1960s or early-1970s when we’d see more multi-part stories, story arcs, and events. You know, the stuff that lays the foundation for a comics universe.

This was the same issue with Ace Harlem and Lion Man.

Lion Man

Of the two, “Lion Man” is the half of a story that was salvageable. By salvageable, I mean that it could’ve gone further with more tales, characters, and character development. It was very much an episodic comic but as mentioned, the majority of the dedicated comics from larger publishers were very “villainous act of the issue”.

In All-Negro Comics, Lion Man is an intelligent ambassador of sorts for the United Nations. Now, it’s briefly explained how and why he was sent to Africa to protect some uranium but there could’ve been more backstory here.

This guy had collegiate or professional-level athleticism and a college education, so he’s a good pick for a powerless superhero but for him to be a pick to go protect uranium for the UN means there’s something more there. Also, he went alone. The UN can rally a peacekeeping force to provide some backup to Lion Man or something.

Then again, his main threat in the issue were resource thieves which he handled readily with his martial arts. He definitely pieces these guys up solo. He must have had quite the background but we wouldn’t know. He’s just a pre-cooked badass.

Salvaging the Uranium Warden

The best way to expand upon “Lion Man” is just to provide some lore to this guy and give him a regular foe. An organization that traffics in multiple crimes in the country or throughout the continent. Even easier, just give Lion Man similar situations and adventures as the titular character in Lee Falk’s The Phantom.

I mean, Lion Man was basically The Phantom but leaned more Tarzan. Throughout the 1950s and 1960s, “Lion Man” could’ve gotten by with just that storyline loop without that much lore and world building.

Plus, like many heroes who were around during the Silver Age, he would have enough prior adventures and character to retcon and build upon for future audiences.

Ace Harlem

“Ace Harlem” was my favorite comic in All-Negro Comics. It was definitely a product of the Golden Age approach to writing but I love pulp and detective comics and comics such as Dick Tracy, The Spirit, and Black Mask. Since detective stories like this tend to lend themselves to more storytelling even during this period, I’d say this is an easier comic to salvage.

The titular character was a private investigator with what I figure is a boxing background. You couldn’t be a private detective without some martial arts background or being a marksman with handguns. You’ll need more than observation and deductive reasoning, here.

These crime fighters were often dealing with masterminds with violent streaks or criminal groups and their main opposition were Golden Age cops. In the comics, they were still patrolling by foot and largely ineffective outside of chatting outside of the deli and putting goons in the police wagon.

They needed either private eyes who were on a case that happened to involve this criminal the cops were getting slammed by or a masked vigilante who happens to have investigation skills.

Certainly there were comics with heroic, able police officers from this period but even then, that was often one exceptional cop who always made the collar. The rest of that department was mid at best while Officer Hero stopped bank robbers…with a service revolver 1 v 4…with no harmed or killed hostages. All money returned.

Officer Hero gets a medal and the chief is happy.

Salvaging Ace

No, these cops needed Ace Harlem to solve a crime they probably wouldn’t have actually bothered with. These weren’t exactly cops from the community. Harlem was just on good terms with them in this instance.

The “Ace Harlem” story could’ve easily been expanded with a couple of multi-part cases. Some private work that has ties to the larger criminal underworld in the community (or beyond). Then tie in a big, underworld-civilian world-altering event. Very basic stuff but it gives lore and continuity to the series.

Like “Lion Man”, it would exist at a time where a chain of one-off, “Crime doesn’t pay” cases would suffice. However, I see something in the Ace Harlem character for a comic strip or just ongoing short stories.

It would be an interesting take on the pulp detective given the period in time. It’s post-Renaissance and pre-Civil Rights movement and immediately post-war.

If you’re wondering about the other stories in All-Negro Comics and how they could be salvaged or revived: those stories aren’t particularly good or interesting .

They probably wouldn’t have made it out of 1947. I know the stories included were meant to be a little something for everyone but the everything else just seemed like cutting room floor funnies.

If you’ve read All-Negro Comics, what were the stories that stood out to you? Haven’t read it? The sole issue is available on the Internet Archive and the Digital Comic Museum free to read online.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

It’s worth noting that in American comics, there is a reason for why it’s not unusual to have corrupt cops, lazy police chiefs, mayors on the take, evil presidents, or cities where the heroes do the job of the police—sans the pay. Then again, if they were paid they would be government superheroes and that’s always proven to be a problem.

No, the reason for this lies in the Comics Code. The short of it was that in the 1950s and 1960s, the U.S was in the throes of one its many moral panics/witch hunts. Some stuffy lobbyists, busy-bodies, and politicians came to the conclusion that comics were part of thing ruining the youth—along with devil’s music, devil’s lettuce, and whatever other “subversive elements.”

The Comics Code Wasn’t Having It

Actually, this was just part of a larger witch hunt but that gets into politics and history. One of the terms of the Comics Code involved how law enforcement and government officials are depicted. This particular rule from the 1954 code:

Policemen, judges, government officials, and respected institutions shall never be presented in such a way as to create disrespect for established authority.

This meant for years, police weren’t to be depicted as corrupt or patsies—even if Batman is doing all their heavy lifting or they’re in a standoff with a bank robber and need Superman to walk them down. You would see both situations in those early comics—before the writing got better—and it’s just vigilantes helping the cops.

Actually, the cops were more accepting of adults in underwear solving their problems back them. The pre-hatred of paperwork days.

That rule was also tied into other rules that made it hard for layered, poignant stories to be written without taking some risk as was the case with EC Comics and the stories they often published. Hell, an iconic franchise like The X-Men had to work around these restrictions. At the time, Marvel Comics set out to produce a superhero group that reflected times while also tackling issues of the times while going on adventures and facing down threats.

Mutants were considered different from humans but you had these other Marvel titles where superhumans were lauded for saving the world or stopping the criminals. The X-Men would do the same but faced prejudice. It’s not like the difference between mutants/mutates/gods/disguised aliens were known to 1960s 616 dwellers.

However, that rule meant that the U.S government couldn’t be depicted as a force of oppression. Another rule tied to this meant that Magneto couldn’t be sympathized with nor could Senator Kelly be punished for targeting mutants:

Crimes shall never be presented in such a way as to create sympathy for the criminal, to promote distrust of the forces of law and justice, or to inspire others with a desire to imitate criminals.

Inclusion of stories dealing with evil shall be used or shall be published only where the intent is to illustrate a moral issue and in no case shall evil be presented alluringly, nor so as to injure the sensibilities of the reader.

In every instance good shall triumph over evil and the criminal punished for his misdeeds.

If you present bigotry and racism as an evil, Kelly should be punished but you can’t depict the government unfavorably—even if it’s just the one guy pushing for mutant killing robots. And you certainly can’t have people warming up to Magneto and feeling “Well, Robert Kelly is such a d**k maybe Magneto ain’t wrong.”

Again, rules for comics written during a time when the country was involved in war and social issues—and there was a distrust of the government by people who got shafted and soldiers left out to dry.

By 1970s, those themes were explored and the writing became less “Aquaman saved some sailors” and more “What is Superman even fighting for if you’re all treating each other like this?”

A Dreddful Use of Power

My favorite depiction of the ineffective/incompetent authority in western comics has to be President Robert Booth from the Judge Dredd franchise. This guy was the prime example of “Don’t let him have the launch codes.”

I’ve said a lot about Judge Dredd, Booth, and the world of Dredd over the years but someone who could cause a global nuclear apocalypse as well as a civil war off of big d**king—incompetent. The 22^nd century is a mess and the only effective authority happens to be the Judges. Sure, there’s issues among the Judges and with each decade of publication their power seems to weaken but it’s better than being under Booth.

I suppose you could say that Booth was effective at destroying the world or rather d**king the world, especially with all the mayhem that followed as the U.S and other countries got back “normal”.

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

For instance, one trope I hate is the naming of characters and places in most fantasy anime. Normally, the names are European in nature—nothing unique but expected. However, it gets ridiculous when the names are lengthy. When this happens, the name is announced by some haughty noble with an obnoxious amount of self-importance.

It annoys me because it tends to happen more than once in the series because this character is part of a larger family, so them and their siblings all have four or five names, a title, an heir ranking, and so on. I don’t know, many one of the snooty nobles becomes a friend of the main character. You know how it goes.

On that note, the fantasy series Bastard!! can be disgusting with this particular trope as Kazushi Hagiwara uses heavy metal references. I mean, some of the band names and musicians would make for cool character, attack, and location names…I just can’t stand by a spell called “Stryper” blocking a spell named after Slayer.

Sure, 80s Stryper was very good with releases like Soldiers Under Command and To Hell with the Devil, but those albums aren’t Hell Awaits or Reign in Blood.

Incompetent Authority in Anime and Comics

But this is AfroGamers, not The Black Rock and Heavy Metal but Bastard does present us with our featured trope—and a favorite of mine: incompetent authority and government. In the first few episodes of Bastard, the kingdom of Metallicana comes under attack by several powerful foes.

Well, they’re powerful for season one, first half of the season enemies. They’re definitely above the knights’ skill level and paygrade as far as threats are concerned. The kingdom’s council/king’s advisors all elect to summon a sealed away evil wizard—Dark Schneider—to defend them. Summon an old, easily agitated, lecherous magical wild card who tried to turn your kingdom into a parking lot a decade and a half go…to defend said kingdom.

Things have gotten to a state where the kingdom is just down horrendous when you’re asking opps for help. To say the kingdom is weak would be inaccurate, they just can’t deal with the threat of magic and mayhem. It’s nothing to be ashamed of, that’s why characters like Doctor Strange, Brother Voodoo, The Sandman, and Spawn are around: magic and the paranormal have a tendency of messing things up differently from alien agendas and super science.

Ultimately, it doesn’t matter what the nature of the threat is, whatever authority is in charge is typically ineffective at what they do. In the case of Bastard, the council repeatedly requests Tia Noto Yoko to unseal Dark with her virgin’s kiss whenever a threat arrives. You could say that the kingdom had 15 years of peace and didn’t need to bolster its defenses for similar foes but I don’t know maybe…build your forces up anyway. Just as a precaution.

I don’t what the case in the Super Mario Bros franchise is but the Mushroom Kingdom is ridiculously poorly defended. Bowser might as well just walked in each time and snatched the Princess. He never needed his airships, Clown Car, or Koopa Troopas. Now depending on what you think Mario and Luigi’s origins in this other world are—whether they were born in the Mushroom Kingdom or fell in there—entrusting the rescue of a head of state to plumbers just seems irresponsible.

Seriously, where does the confidence come from in that decision? It’s probably the same brilliant minds who figure bringing randoms from another world/dimension to solve their world’s problems is a great idea.

It’s not. There are always additional problems in isekai summoning such as a religious powerhouse or a cult/conspirators working behind the scenes. They’re the wrench in the works. Sure, there’s a world-destroying threat and we’re on a schedule but that doesn’t stop nobles, royals, and clergy from complicating the whole situation.

At the moment, isekai is my favorite manga/anime/manhua genre and this trope always stretches out the story just enough to provide lore and a constant, looming threat to the world and the MC’s quest. If authority just worked as it should, the MC might not be needed half of the time. In these series, the MC is basically a heroic janitor—who might have a blessing or cheat—here to clean up these otherworlders’ issues.

You know, so they can eventually go home.

We can’t get into ineffective authority without touching on Western comics but that’s a-whole-nother piece because there are too many examples to list! Share your favorite or least favorite instances of bumbling or ineffective authority in a series!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.

Why the Sonic the Hedgehog Archie Comics Rocked

There were still humorous moments in the comic but things were more serious. Sonic started out the series as the Knothole Resistance’s most active field agent. In these issues and SatAM, their goal was simply to stop Robotnik in his evil deeds.

What were those evil deeds? In a call back to the Sonic games on the Sega Master System and the Sega Genesis, Robotnik was capturing woodland creatures and turning them into the robots that Sonic faces. Don’t ask me for the exact science on that.

It’s super-science! It’s so advanced and out there that there is no real-world explanation. So, we have Robotnik doing this and the animals who are somewhat evolved are out to stop him. It’s not particularly mentioned in the games that this is the backstory.

Like many games of the early 1990s, you were told what the main boss was doing and that it was up to you to stop them. You just rented the game, that’s a lot of responsibility to place on someone who doesn’t live on Mobius. Actually, a lot of these games placed a lot of responsibilities on kids. This princess was kidnapped, this gang is terrorizing the town, win this tournament against eight other skilled fighters including one with psycho power.

It’s a lot. I’m just saying.

Linking Comics and Games

What does eventually plays into the game and the comics is the importance of the Chaos Emeralds. In the first two Sonic games, they were simply valued because you could go Super Sonic. You had to be really good and really dedicated to those bonus stages. Me? I just used the code, folks.

By Sonic the Hedgehog 3 the Chaos Emeralds are given more importance because we know more about them. The game gave some hint that the comics really upsold the Emeralds and the introduction of the cool new character Knuckles the Echidna.

The Archie series ran for a very long time, even during periods when Sega was horrendous and had to end console manufacturing. The Sonic property always had mileage, it merely activated at times when there wasn’t much buzz on the game front or after the game had dropped.

Storyline-wise, the Archie comics filled in some spots where my imagination would’ve stepped in and actually made it make sense with the rest of the game. That’s the thing: technology wasn’t there to where full-on, detailed stories could be told on consoles outside of RPGs and point-and-click adventure games.

Action and platformers really didn’t have time to waste when the actual action is the selling point. So, having a comic book adaptation was a great touch. It kept my interest in Sonic even after I stopped playing the games. Of course, now consoles and PCs have the power to retell the first three Sonic games in one long remake with cutscenes, voice acting, and better in-game graphic.

…while having room for Sonic Spinball and Sonic 3D Blast.

Did you ever read the Archie Sonic comics? What did you think of them and what other games could’ve benefited from a comic book or cartoon adaptation? Let us know down below!

Staff Writer; M. Swift

This talented writer is also a podcast host, and comic book fan who loves all things old school. One may also find him on Twitter at; metalswift.